The song structure may not be the first thing you think about when you start writing. You probably work on the verse or chorus, or maybe you have an excellent riff that you want to expand into a song.
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So you have that down and then you start to think about the other parts - the intro, how many verses, middle eight, do you want an instrumental, etc.
Some of the best rock music genres have a fairly rigid format, others are more flexible, and you need to know where you'll be able to bend the rules and why you may not want to do so to be able to make your song stand out from the others. Let's look at the sections you'll find in most songs and the part they play in song building.
Listening to a great song is one thing but listening to it while watching the video can often be a totally different encounter.
Intro - Yes, this leads you into the song. It might be two, four or eight bars long or longer.
Verse - This will be the preamble to the chorus. It sets the scene, certainly lyrically, and as the verses progress they often tell a story or recount episodes from a situation, although that's by no means important. They are typically eight or sixteen bars long.
Chorus - This the part everyone remembers, whistles and sings along to. It ought to be the strongest part of the song and generally contains the hook. It's usually eight or sixteen bars long.
Middle eight - As a song progresses, there's a danger of boredom for the audience. The middle eight offers them a break and usually comes after a couple of verses and choruses. Some people think of it as an alternative verse and that's one way to look at it.
Bridge - Many individuals use the terms 'middle eight' and 'bridge' synonymously. However, among those that prefer to note the difference, a bridge is a short section utilized to bridge the gap between verse and chorus.
It may only be two or four bars long and it's often used when the verse and chorus are so different from each other that a 'joining' phrase helps bring them together.
Instrumental - This is portion of the song without any vocals.
Breakdown/Break - This phrase has been high jacked from songs from the early 1900s when it was common to either to reduce the instrumentation or stop it altogether while a tap dancer would strut his stuff.
Outro/Ending - Once upon a time, songs had definite endings, but the mid 1950s heralded in the era of the fade-out and lyricists thought they would never have to write an ending ever again.
Hook - The hook is not a song part as such. Rather it's the term used to describe the part of the song that individuals remember and sing.
Listen to songs in the style you are writing in by listening to online music rock stations or you can search the internet for some free rock sheet music.
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